Tuesday night was a whirl of art openings, and D and I bounced one to another to another, ending up at one curator friend’s final show at that venue.
She had invited me to a grand finale dinner afterwards, apologizing that it was a small intimate crowd so D couldn’t come along, and she was cool about that.
I was wearing a lively-patterned turquoise dress, which previously I associated with that first night I saw Ah Ren a year and a half ago, paired with the gorgeous four-inch-heeled blue and green suede Mary Janes I bought in Jakarta. The dress has a plunging neckline that shows off my boobs to great advantage: they are the one upside of being overweight, I call it my Cleavage Dress; and the heels perk up my lower assets not unflatteringly. I was looking good that night.
It was a sumptuous spread in a sumptuous old villa. “Everyone must have fun and get drunk!” my normally cautious friend declared. Apart from a few other white foreigners, including La Turqa and her man, it was mostly an East Asian affair, heavily Francophone Japanese, a smattering of Koreans. I had met several of them, including a hunky Japanese filmmaker, who I recall crushing on when I first and last met him last year, and a rather quiet, pinched-face Japanese journalist who is my friend’s constant sidekick; I never can remember her name.
I ended up sitting accross from La Turqa and a Chinese artist, and between a Taiwanese businesswoman, who I know fairly well, and an elegantly-dressed, handsome if slightly feminine Japanese entrepreneur I hadn’t met before. He looks younger than his 35 years, and has a sensuous suppleness to his face; similar to me, his expressions stretch all over his round baby face.
He has been in Shanghai for nine years, and we quickly bond over our shared time here and compare memories like scars. Seguing smoothly from English to Mandarin and back, I am more fluent in both but he can keep up, even as both languages waxed drunkenly, dangerously fast as the night boozed on.
We chat, joke, discuss, flirt throughout the dinner. He is very attentive, very interested. I learn about his businesses, in design and entertainment, and his charm and confidence both vouch for him and make me suspicious: how is it that this handsome, charming, successful, wealthy man could be single?
The Japanese journalist, seated to the other side of him, glares at us in disapproval. Quite the unmistable stink-eye she gives me. At first I wonder whether she is his wife, but I quickly abandon that theory. Either she likes him, unreciprocatedly, or was but no longer is involved with him, or is friends with his girlfriend/wife. I wonder. He wears many rings, but they are all more decorative than “wedding”, and I can never remember which finger wedding/engagement rings go on, that is a culture foreign to China. But here and later was he hitting on me quite blatantly, in front of his close friends; it seems unlikely that a married man would do that. More likely, he is a player.
Dinner finishes, and most guests retreat, leaving just the Japanese core and myself, in no hurry, lolling on the sofa and drinking even more exquisite wine. My new friend is accross the table from me now, and I am sitting next to the hunky filmmaker. And, wait, is he now flirting with me too? Ah, Cleavage Dress, the trouble you get me into! The sensual enterprenuer meanwhile makes eyes at me accross the coffee table; he keeps catching my eye and smiling or winking, I waggle my eyebrows back at him, and he laughs. The other journalist frowns at us.
I don’t know what to call this fellow. For now “Tan”, as there is that Chinese character in his name, I guess. Calling him “The Japanese guy” would be in poor taste, I know.
So, we all traipse out. I can outdrink a room of Japanese any night, and was less drunk than most there, but my heels and gravity and uneven lane ground betrayed me, and I took a stumble and skinned up my knees. Tan offers to drive me home, he has a fancy schmancy car and I was on his way out to Hongqiao. I tease him about living in the Japanese expat ghetto.
His car is half-way down the block, and as we walk I link my arm through his, for balance as much as gesture. Tan immediately responds by wrapping his arm around my waist, quite tight, and nuzzling my head; I rest my hand loosely on his shoulder. We reach his mini-van, he opens the door for me and takes me hand to help me in. Driving, we play with each others’ hands at the stoplights.
We reach my lane, and after a brief hestitation we lean in for the kiss. We are both drunk, and it is sloppy but earnest. But I have little chance to process: Tan IMMEDIATE grabs for my breasts. Okay, I realize “the girls” were rather front and center that night, but oh come ON. I remove his hands, “I don’t know you well enough yet for that!” I try not to sound annoyed.
He complies, and we resume kissing. This time, his hands lunge immediately for my ass. Man, this is hilarious, I think. At least the man knows what he wants - which is somewhat a nice change after Worm. Yet it signals just another for of WEIRD! Geez, men! I bid him goodnight, with a rather less slurpy final kiss, and climb out of his car.
It seems he took my “no boobs yet” policy fairly well, better than my last over-eager turned sulky paramour last fall: emails have been exchanged, and he’s invited me to a party with our mutual friends at one of his restaurants this coming Monday. Promising. I still long for Worm, but I have to move on. Maybe Tan is just what I need - even if I continue to look over my shoulder, hoping Worm will step up, will come claim me. I don’t suppose he will, though.